The New York production of Dogsbody by Erik Ehn began in San Francisco. It is one in a cycle of seventeen plays called Soulographie: Our Genocides. For over two years, I worked with Professor Ehn, at that time the head of playwriting at Brown University, and director Rebecca Novick on this piece, and have been involved extensively in its development through retreats and workshops. In tandem with the premiere of Dogsbody at Intersection for the Arts, San Francisco, I was an invited panelist for Artists as Witnesses: Engaging in Regions of Conflict, where I discussed our design process. Two months later, Dogsbody joined the other sixteen plays during the complete Soulographie cycle at a major international venue, La Mama Theatre, New York’s oldest experimental theatre. These performances included opportunities to reflect and converse about the issues invoked by the plays, and are considered artistic acts towards social change. This meaningful and multi-disciplinary contribution illustrates the collaborative model that drives my work. During Ehn’s subsequent visit to Lehigh’s campus, I presented a lecture, The Visual Landscape of Genocide: Designing Erik Ehn's Dogsbody, to the English Department.